Exploring the nature of language and memory
For millennia, ancient peoples of the Andes created quipus (khipus)—complex record-keeping devices, made of knotted cords, that served as an essential medium for reading and writing, registering and remembering. New York–based Chilean artist and poet Cecilia Vicuña has devoted a significant part of her artistic practice to studying, interpreting, and reactivating the quipus, which were banned by the Spanish during their colonization of South America. Drawing on her indigenous heritage, Vicuña channels this ancient, sensorial mode of communication into immersive installations and participatory performances.
“Disappeared Quipu” pairs five ancient quipus on loan from the Peabody Museum of Archaeology and Ethnology at Harvard University with a newly commissioned, site-specific installation by Vicuña that combines monumental strands of knotted wool with a four-channel video projection. Together, these quipus of the past and present explore the nature of language and memory, the resilience of native people in the face of colonial repression, and Vicuña’s own experiences living in exile from her native Chile. Each knot of Vicuña’s modern-day quipus gives radical possibility to the connective and expressive capacities of a language nearly lost to history.
“Cecilia Vicuña: Disappeared Quipu,” organized by the Museum of Fine Arts, Boston, and the Brooklyn Museum, is accompanied by participatory performances by the artist incorporating poetry and song.