Joannes Ruckers was the second in a family of highly influential harpsichord makers in 17th-century Antwerp. The family’s instruments were prized well after their workshops fell silent, and their instruments were continually reworked over the decades and centuries. This instrument is no exception, having had its range extended in the 18th century and, importantly, an overall restoration conducted in the beginning of the 20th century. That work was undertaken, just a few miles away from MFA Boston, by trailblazing historical instrument maker and player Arnold Dolmetsch.

Poplar, spruce, bone, bog oak.

Arthur Tracy Cabot Fund.

2021.550