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Born in Hawaii to parents of Okinawan ancestry, Toshiko Takaezu (1922–2011) was a technically masterful and innovative artist best known for her…
“Since birth we get accustomed to seeing and thinking at the same time. But I think that if you can turn off the mind and look at things only with…
Resilience often manifests in work by Indigenous North American artists, for example in its content or simply by increasing visibility to combat…
In the years around 1900, before Piet Mondrian (1872–1944) created some of the most recognizable abstract canvases of the last century, he turned his…
Jell-O’s presence in contemporary art is an extension of its visual and cultural history. Since its invention in 1897 the cheap yet luxurious pantry…
The Furniture and Frame Conservation Laboratory, founded in 1971 and significantly expanded in 2001, is responsible for the care and preservation of furniture, frames, musical instruments and period rooms in the Museum’s collections.
Objects Conservation Laboratory
The Objects Conservation Laboratory cares for three-dimensional artworks from across the Museum’s curatorial areas, nearly one-third of the MFA collections.
The Rose-Marie and Eijk van Otterloo Paintings Conservation Studio was established in 1902 in the form of a single Keeper of Paintings, who was responsible for cleaning and repairing artworks. Today, the lab oversees the conservation of all Western paintings in the Museum's collections, including medieval panel paintings, Renaissance frescos and easel paintings, and contemporary works.