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Editorial Reviews and Awards

“[Rachel Ruysch: Nature into Art] will stand as a key text on Ruysch for a long time, but should also spark further interest in this remarkable woman.”
—Elizabeth Honig, Historians of Netherlandish Art Reviews

“Rachel Ruysch: Nature into Art is an outstanding example of scholarship and design… The reproductions are stunning, showcasing an incredible detail with vivid color contrasting the deep backgrounds of the still life paintings. The scholarly essays highlight Ruysch’s career and legacy while considering botanical art traditions.”
—Art Libraries Society of North America

“With gorgeous images and accessible text, [Fashioned by Sargent] is highly recommended for audiences interested in fine art in relation to fashion.”
—Sandra Rothenberg, Library Journal

About Hokusai: Inspiration and Influence: “Accompanied by a catalog that masterfully interweaves historical biography with individual image analysis, the exhibition is a welcome addition to the scholarship devoted to the artist and a unique exploration of systems of artistic influence.”
—Ashley Busby, Art & Antiques Magazine

“Fabric of a Nation: American Quilt Stories reveals a rich, complex and often overlooked history of North America as told from individual experiences manifested within the tradition of quiltmaking. The book illustrates how quilts are more than material objects of comfort and aesthetic beauty. They are archives of social, political and cultural histories.”
—Art Libraries Society of North America

“In this pandemic year of missing most everything, we’ve been trained to look for silver linings wherever possible. So here’s mine: [Cy Twombly: Making Past Present], which I got a few months back, is gorgeous.”
—Murray Whyte, The Boston Globe

“In these flattened times, Writing the Future conveys motion. The book, a companion to a suspended exhibition at Boston’s Museum of Fine Arts, is about Basquiat, his contemporaries, and early hip-hop culture, but it’s also about the movements and rhythms of New York City—'the work of the subway writers became as optically and optimally omnipresent as the Manhattan skyline,' Greg Tate writes. And in its dynamic blend of art, history, and analysis, it has a movement of its own.”
—Dan Adler, Vanity Fair

About Writing the Future: “To leaf through this prodigy’s oeuvre intermingled with photos of what he called 'just … you know, my friends and stuff'; of their tags brightening storefronts and subway cars, of the boomboxes and leather jackets and reference books they at once desecrated and elevated, is to hold in your hands the record of a place and a time and a togetherness we can only hope one day to experience again.”
—Lauren Christensen, ​The New York Times Book Review

“The handsome volume [Hokusai’s Lost Manga] includes dozens of lively, lovely images, showcasing Hokusai’s skill at capturing movement, in swirling garments, in water, in wind, in bodies in motion at work, spinning pots on a wheel, making paper, washing a horse, trekking up a hill.”
—Boston Sunday Globe

“[The Priest, the Prince, the Pasha is] a feat of storytelling that makes ‘Raiders of the Lost Ark’ look like kid stuff.”
—The Wall Street Journal

“The large reproductions in [John Singer Sargent Watercolors], several with accompanying details, offer some of the best viewing of his work in printed form. Seduction will lead to Dazzle.”
—Carl Little, Art New England