Inpainting of an 18th-century Peruvian painting, Nuestra Señora de Belén (Our Lady of Bethlehem), now in the final phase of treatment after two years of extensive conservation to consolidate vulnerable paint layers, repair long tears in the canvas, and secure its long-term structural stability, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training, and graduate intern Sophie Morris.

Inpainting of an 18th-century Peruvian painting, Nuestra Señora de Belén (Our Lady of Bethlehem), now in the final phase of treatment after two years of extensive conservation to consolidate vulnerable paint layers, repair long tears in the canvas, and secure its long-term structural stability, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training, and graduate intern Sophie Morris. Q and A session from 2:30–3 pm and 4–4:30 pm.

Inpainting of an 18th-century Peruvian painting, Nuestra Señora de Belén (Our Lady of Bethlehem), now in the final phase of treatment after two years of extensive conservation to consolidate vulnerable paint layers, repair long tears in the canvas, and secure its long-term structural stability, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training.

Inpainting of an 18th-century Peruvian painting, Nuestra Señora de Belén (Our Lady of Bethlehem), now in the final phase of treatment after two years of extensive conservation to consolidate vulnerable paint layers, repair long tears in the canvas, and secure its long-term structural stability, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 2:30–3 pm and 4–4:30 pm.

Inpainting of an 18th-century Peruvian painting, Nuestra Señora de Belén (Our Lady of Bethlehem), now in the final phase of treatment after two years of extensive conservation to consolidate vulnerable paint layers, repair long tears in the canvas, and secure its long-term structural stability, by Alice Limb, Andrew W. Mellon Fellow for Advanced Training. Q and A session from 2:30–3 pm and 4–4:30 pm.

Cleaning and stabilization for Jeppe Hein’s 2008 neon artwork, after 10 years of continuous display to address the fragile glass tubes, degrading noble gases, and obsolete electrical components, by Christine Mitchell, Hansjörg Wyss Associate Conservator of Modern and Contemporary Art, and conservation intern Patricia Navedo Garcia. Q and A session from 1–4 pm.

Cleaning and stabilization for Jeppe Hein’s 2008 neon artwork, after 10 years of continuous display to address the fragile glass tubes, degrading noble gases, and obsolete electrical components, by Christine Mitchell, Hansjörg Wyss Associate Conservator of Modern and Contemporary Art, and conservation intern Patricia Navedo Garcia. Q and A session from 1–4 pm.

Cleaning and stabilization for Jeppe Hein’s 2008 neon artwork, after 10 years of continuous display to address the fragile glass tubes, degrading noble gases, and obsolete electrical components, by Christine Mitchell, Hansjörg Wyss Associate Conservator of Modern and Contemporary Art, and conservation intern Patricia Navedo Garcia. Q and A session from 1–4 pm.

Cleaning and stabilization for Jeppe Hein’s 2008 neon artwork, after 10 years of continuous display to address the fragile glass tubes, degrading noble gases, and obsolete electrical components, by Christine Mitchell, Hansjörg Wyss Associate Conservator of Modern and Contemporary Art, and conservation intern Patricia Navedo Garcia. Q and A session from 1–4 pm.

Cleaning and stabilization for Jeppe Hein’s 2008 neon artwork, after 10 years of continuous display to address the fragile glass tubes, degrading noble gases, and obsolete electrical components, by Christine Mitchell, Hansjörg Wyss Associate Conservator of Modern and Contemporary Art, and conservation intern Patricia Navedo Garcia. Q and A session from 1–4 pm.