The MFA’s George D. and Margo Behrakis Wing has undergone an ambitious and exciting transformation. Together with existing spaces, five new galleries on Level 2 of the Wing create a grand entry to the Museum’s collection of Greek and Roman art—one of the finest and most comprehensive in the world—and a new home for the collection of Byzantine art. These galleries feature some of the oldest works in the MFA’s collection, yet they tell new stories, reflecting our time through the art of the past. With freshly imagined spaces that include natural light, innovative displays, interactive experiences, and immersive evocations of an ancient Greek temple and a Byzantine church, visitors of all ages can learn about the legacies of these ancient cultures and understand their relevance today.

Early Greek Art

This large gallery is devoted to early Greek art from its beginnings at the end of the 10th century BCE through the Persian Wars (479 BCE). It introduces two key developments in Geometric and Archaic art—new ways of depicting the human body and the birth of storytelling—exploring them chronologically and demonstrating how the achievements of the Classical period were rooted in these innovative earlier periods. Object groupings that focus on specific city-states and regions, as well as a map with embedded artworks, expose the tension in this formative period between longstanding local visual vocabularies and new ideas and technologies the Greeks encountered as their world broadened via trade and migration. The artistic developments and techniques from this era—one of which is presented in the gallery in the MFA’s first-ever animated video, How to Make an Athenian Vase—laid the foundations for works found in nearby galleries including “Daily Life in Ancient Greece,” “Homer and the Epics,” “Dionysus and the Symposium,” “Theater and Performance,” and “Ancient Coins.”

Gallery 213

Gods and Goddesses

“Gods and Goddesses” introduces visitors to Greek and Roman art through one of its most important and popular subjects: mythology. Designed as a contemporary update on an ancient Greek temple and bathed in natural light, it showcases depictions of gods and goddesses, like the MFA’s monumental Juno, and more intimate objects such as implements used for religious rituals, all dating from the 6th century BCE to the 3rd century CE. Thematic groupings of artworks explore the gods’ varied personalities and complex realms, as well as religious practices and myths that were so central to people’s lives and beliefs in ancient Greece and Rome. Through a digital reconstruction, visitors can see what the original painted decoration on a statue of Athena Parthenos looked like, experiencing how people in ancient times saw their gods in color.

George D. and Margo Behrakis Gallery, 207

Roman Portraiture

Here visitors can explore the beginnings of portraiture in Western art history and the role it has played in constructing and maintaining identity—from the past to today. More than mere records of appearance, Roman portraits are visual constructions, combining likeness, character, and social status in images that are compellingly human. The use of such images for propaganda purposes and self-promotion developed in the Roman Empire. The objects on view in this gallery illustrate the range of applications for Roman portraiture—from historical documents to artworks used in domestic, funerary, and civic spaces.

Gallery 206

Byzantine Art

This gallery is the first of its kind in New England, presenting Byzantine art from the reign of Emperor Constantine in the 4th century CE through the fall of Constantinople in 1453. Located in between the MFA’s classical and medieval European art galleries, the space and the artworks it houses reflect the transition from paganism to Christianity, the point where East met West, and the shift from polytheism to monotheism. Modeled on early Byzantine church architecture, this gallery creates an immersive experience that captures the aesthetics and spirituality of the time period, highlighted by a golden ceiling dome, the 10-foot Monopoli altarpiece, and a soundtrack of sacred Byzantine hymns.

Gallery 208

20th- and 21st-Century Art

Sally Mann and Cy Twombly: Remembered Light

This gallery hosts a series of rotating installations that explore how 20th- and 21st-century artists interacted with ancient art. The current installation, a companion to the MFA’s exhibition “Making Past Present: Cy Twombly” brings three sculptures by Twombly, on loan from the Cy Twombly Foundation, within view of ancient statuary, vessels, funerary objects, and architectural fragments the artist would have seen when he was an art student at the School of the Museum of Fine Arts, Boston. They also appear alongside 13 photographs by Sally Mann from her series Remembered Light, on loan from the Gagosian Gallery, New York. Mann, best known for her photographs of family, children, and the Southern landscape, was Twombly’s neighbor in Lexington, Virginia, and Remembered Light features her photographs of his home from 1990 until after his passing in 2011. Mann sought to capture aspects of Twombly’s life, his inner world, and his appreciation for the past. Appearing here alongside Twombly’s sculptures, the photographs form a poetic dialogue between two friends and their powerful artistic visions.

Lubin Family Gallery, 214

  • George D. and Margo Behrakis Wing, Level 2