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Conservation Project: Greek Vases
Conservation Strategy A condition survey in 2004 showed that close to half of the ceramics in the Museum's Late Archaic and Early Classical Greek gallery were physically unstable. Many of the ceramics, assembled from fragments, were heavily restored before they came to the Museum in the late nineteenth and early twentieth centuries. After more than a century, they were in dire need of conservation. All of the vessels required cleaning and many were plagued with failed adhesives, soluble salts, and discolored restoration paints.
Asian Conservation Studio
The Asian Conservation Studio is one of only five such studios in the United States and the oldest outside of Asia. The studio was established in 1907 within the department of Asiatic Art during Okakura Kakuzo’s curatorship. Headed by a Japanese mounter named Motokichi Tamura, its initial mission was to preserve Japanese paintings.
Timeless Splendor:
Dutch and Flemish Paintings from the Susan and Matthew Weatherbie Collection
A female subject gazing out at the artist, arm akimbo; a lush tablescape with oysters and sweets; a sweeping view of Haarlem under a grand sky; and an…
The years between 1900 and 1950 were a whirlwind of change in Japan, with increasing modernism, consumerism, and influence from the West, alongside a…
Please fill out this form to submit your paper proposal for the 2024 International Mountmakers Forum taking place in Boston from September 10 through…
Conservation in Action: La Japonaise
In March 2013, conservators began treatment of Claude Monet’s La Japonaise (Camille Monet in Japanese Costume), carrying out the work on view to the…
Treatment of La Japonaise (Camille Monet in Japanese Costume) , dated 1876, by Claude Monet (French, 1840–1926): March 2013 After several weeks of examination, research, and testing, conservation work has begun on the painting. Here's a look at some of the studies behind the treatment.