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Relocation and conservation of a Roman sculpture of the goddess Juno, early second century A.D.: March 2013, Replacement of the nose and lips While…
Conservation in Action: Minbar Door
In May 2013, conservators started work on the door of a minbar, or pulpit, in gallery 208 of the Behrakis Wing. The doorway entered the Museum…
Treatment of two sarcophagi, Etruscan Late Classical or Early Hellenistic: June 2013 Masonry experts assess the stability of the coffin bottom with…
Conservation of an Egyptian minbar door, Mamluk period, 1382–98: July 2013 In the past month, significant strides have been made in the stabilization…
IRUG 11 Conference
The Museum of Fine Arts, Boston (MFA), is pleased to host the Eleventh Infrared and Raman Users Group (IRUG) Conference, which will take place on…
MFA receives a transformational gift spanning three centuries of Jewish decorative arts.
The Furniture and Frame Conservation Laboratory, founded in 1971 and significantly expanded in 2001, is responsible for the care and preservation of furniture, frames, musical instruments and period rooms in the Museum’s collections.
Objects Conservation Laboratory
The Objects Conservation Laboratory cares for three-dimensional artworks from across the Museum’s curatorial areas, nearly one-third of the MFA collections.
The Rose-Marie and Eijk van Otterloo Paintings Conservation Studio was established in 1902 in the form of a single Keeper of Paintings, who was responsible for cleaning and repairing artworks. Today, the lab oversees the conservation of all Western paintings in the Museum's collections, including medieval panel paintings, Renaissance frescos and easel paintings, and contemporary works.